Capturing Luminosity in Oils

White Steals Intensity in Oil Painting

There are three whites commonly used in oil painting—Zinc White, Flake White, and Titanium White. Of them I prefer Titanium White, a warm, luscious color with superb mixing qualities. White is the Thief of Intensity Mixing white into a color robs the color of some of its power. It's often…(continue reading)

The Seven Must Have Colors in Oil Painting

By now, I can get by with a pretty restricted palette. This is helpful, especially when money is tight (is it ever loose?). Also, having just a few colors to work with pushes me to combine them more inventively to get the color I want. The Palette I always set up my palette from light to dark,...(continue reading)

How to Make (Some) Money From Your Art — Five Surefire Ways

One year not too long ago I sold 60 pieces of art. These were mostly works on paper and the average price was $200. About half the works were sold through galleries, so I received 50% (sometimes 40%) of the selling price. Do the math and this works out to $12,000, still not enough to be a 'living'. However,...(continue reading)

Quieting the Inner Critic When You Are Painting

Many people have inner critics that ruin their fun, any kind of fun. The voice drills on and on—nasty, mean, super negative. I am fortunate that my inner voice is soothing, kind, and infinitely playful. I've learned to always trust this voice. Figure Out Who's Painting If you do enough...(continue reading)

Velazquez's Las Meninas and Mis Meninas—My Letter to Danielle

  Hi Danielle,    I've been fascinated by the painting Las Meninas since I was a little girl. The Infanta is such a magnetic figure. Everything in the painting seems to turn around her. She is perfectly placed—secure in her own brilliance. ...(continue reading)